Suppression in The Yellow Wallpaper

In the nineteenth century, women were often suppressed and controlled by their economises and other men. In The white-livered cover, by Charlotte Perkins Gilman, the narrator is ladened to the point of insanity. Gilman uses symbolism when describing the characters, aspect and the wallpaper allowing the reader to accept the narrators dec into madness as a result of distaff oppression.\nThe antecedents description of the trinity master(prenominal) characters allows the reader to intermit understand what it would be analogous to be a female in the recent nineteenth century. The narrator and likewise the main character of The Yellow Wallpaper is a young wife and mother who has recently been experiencing signs of stamp and anxiety. John, her physician husband diagnoses her with temp nervous depression---a slight neurotic tendency, and prescribes her three months of the stay on cure. She was confined to the nursery in their rented summer home, and non allowed to write , operate on with people she wanted to, or see her baby. Anyone in this bit could easily progress toward madness. Her husband John is a high-flown physician who tells his wife that he only wants what is best for her, however he is being in truth controlling. According to the narrator, He has no patience with faith, an intense hatred of superstition, and he scoffs openly at any talk of things not to be felt and seen and adjust down fingers on rapscallion85. In essence, John encompasses a skipper rationality that claims in contest for the narrator to try and make John understand her annoying with her room and what she is seeing in the wallpaper. The third character Jennie is Johns sister, she is a perfect and enthusiastic housekeeper, and hopes for no better profession PAGE 87. She is symbolic of women in the late 19th century who were glut with their domestic roles.\nThe setting in which this layer takes place is also imperative to evaluate the symbolism used by Gilman. T he story begi...