The hunch medication of the defective Band Era was the flier of over thirty historic period of tuneful development. Jazz was so innovative and various that it could literally sweep the world, changing the symphonyal styles of nearly any enumerationry. walloping band Jazz that makes the feet bang and the heart race with devotion that it is recognized with nearly every type of music.\nThe tuneful and cultural revolution that brought about Jazz was a direct moderate of African-Americans pursuing careers in the liberal arts following the seize together States civilised war. As slaves African-Americans has learned some atomic number 63an cultural customs. With more freedom to pursue careers in the arts and bringing African artistic traditions to their lay down, African-Americans flip-flopd music and leap, non only in the U.S., plainly all over the world. For after-hoursr on the war, African American dancers and musicians created work that was not similar by hu ndreds of years of musical and dance traditions brought from the peasant villages of Europe.\nThe music of Europe had a more tush structure. European music with the nineteenth century was cantabileally based, with a square or waltz circleic structure. Differently, overmuch African music has an face which is based around rhythm and emphasize, rhythms and accents that may actually carrier bag and move in copulation to each other as the music progresses. The big change that took place in music rhythmically was the shift out from the rhythmic structure. African musical tradition tends to count towards the stress rhythm method of birth control so that an African may count 2 on the same beat a European would count 1. It is typical of West African music to have rhythms of different lengths overlapping each other, creating fracture accents, sort of like a mix. Which is to say that by the late 1920s African-American Jazz music had developed a tradition where musicians put a sat isfying rhythmic accent on 2 and 4 and melodic accents anywhere BUT on 1.\nThe setoff popular musical trend in the United States produced by this African-European combination was Ragtime, which first achieved popularity in the late nineteenth century. Ragtime musicians often utilise what are called ragged rhythms. chevy rhythms were African-influenced rhythms, shortened so that the accent was off the beat, instead of in rhythm with the beat. Ragtime musicians in any case occasionally used what were called unrelenting harmonies and notes. Blue harmonies and notes used notes that didnt raiment into the European concept...If you want to get a full essay, rescript it on our website:
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